Category Archives: literary extract

The proof of the experiment is if their behaviour

The proof of the experiment is if their behaviour seems interesting, plausible, revealing about human nature. Seems to whom? To the ‘reader’ – who is not Mr Cleverdick the reviewer, or Mr Sycophant the publicist, but some kind of ideal reader, shrewd, intelligent, demanding but fair, whose persona you try to adopt as you read your own work in the process of composition. I sort of resent the idea of science poking its nose into this business. Hasn’t science already appropriated enough of reality ? Must it lay claim to the intangible invisible essential self as well?
I’m a self-taught two-finger typist, prone to error (for which reason I Thank God – and science- for the invention of the word-processor). But some words I always seem to mistype. One of them is ‘science’ which invariably appears on the screen of my computer as ‘scince’, with a reproachful red wiggly line drawn under it by the automatic spell-checker. I duly correct it, but there is something onomatopoeically appropriate about ?scince? (pronounce skince) which I am sorry to lose: it expresses the cold, pitiless, reductive character of scientific explanations of the world. I feel this hard, cold, almost ruthless quality In Ralph Messenger. His reaction to Martin’s death, when the subject came up in the course of lunch, was like having a bowl of icy water dashed in one’s face.It shocked and angered me – I almost got up and left him at the table. But I’m glad I didn’t. I might never have seen the Karinthy mural, for one thing. It provoked all kinds of ideas.
From the book ‘Thinks? by David Lodge

One, two, three, testing

One, two, three, testing, testing… [belches] Pardon me! It’s, what, 6.51 p.m. on Wednesday 26th February… I’m still in my office, instead of at home, warming my bum in front of the fire and enjoying the first drink of the day, because we have a problem in the Brain… I got a message this afternoon that Captain Haddock had crashed, but it seems to be a hardware failure or possibly wiring… there are technicians and sparks crawling all over the place at the moment trying to locate the source of the trouble and I don’t feel like going home until I know that it’s been fixed … the thought of an electrical fire breaking out in the Brain in the middle of the night is scary, unlikely as it is… So I called Carrie to say I’d be late and settle down to do some work on staff assessment I’ve been putting off… so many fucking forms these days… but when I unlocked the filing cabinet where I keep confidential material my eye fell on the old Pearlcoder and I couldn’t resist listening to the tape I recorded last Sunday morning. I played back the tape on the recorder just now , and I must say it was absolutely riveting… though of doubtful experimental value …not that I’ll ever be able to quote much of it in a paper, it’s far too personal, too revealing, not to say raunchy at times… but it was fascinating to… to as if were eavesdrop on one’s own thoughts.
From the book ‘Thinks’, by David Lodge

‘You don’t mind walking?’

‘You don’t mind walking?’ he asks, as they descend the stairs to the lobby.
‘No, not at all.’
‘There is a shuttle bus in…’He glances at a chunky stainless steel watch.?About ten minutes.’
‘No, I like to walk,’ she says. ‘It’s the only exercise I get’
‘Me too. I always walk on campus unless its raining.’
It isn’t raining outside, but looks as if it might soon. A damp wind is blowing across the campus under scudding grey clouds. They walk along the path that skirts the lake, moving into single file every now and again as a tinkling bell warms them of the approach of a cyclist. It being a Wednesday afternoon, there is evidence of sporting activity. Shouts and cries carry faintly from the playing fields on the eastern perimeter, and a rugby ball rises and falls in a spinning arc against the sky. On the lake, some students in wetsuits are windsurfing. The brightly coloured shards of their sails against the dark water make a pleasant picture, but the lake is hardly big enough for the purpose: no sooner have the craft got up some speed than they have to make quick turns to avoid hitting the bank, or each other. Capsizes are frequent.
‘ I know what this place reminds me of,’ Helen says suddenly. ? Gladeworld. Have you ever been?
‘N0, what is it.?’
‘A sort of up-market holiday village. I went with my sister’s family last summer. It was in a biggish bit of wooded country, surrounded by a wire fence. You live in little houses built between the trees. In the middle there’s a huge plastic dome with a kind of swimming pool cum botanical gardens underneath it with a lots of water chutes and whirlpools and suchlike. And there’s a supermarket and restaurants and sports halls – and an artificial lake for sailing and windsurfing that isn’t quite big enough. That’s what reminded me. That and the bicycles. You’re not allowed to drive your car at Gladeworld once you’ve unloaded it. Everybody rents bicycles, or walks. Everything you need for your holiday is inside the fence. You never need to go outside.’
From the book ?thinks’, by David Lodge

Coming here

Coming here was a terrible mistake, I want to run away, I want to scuttle back home to London – home, yes, that’s my home, not this little tatty little box. Do I dare ? Why not ? I haven’t really started yet. I haven’t met any students, or taken any of the University’s money. They’ll easily find someone else to do the job – there are a lots of excellent writers around who would jump at it. Why not just leave, tomorrow morning early ? I see myself creeping out of the house before it’s light, like a thief, loading my things into the car, shutting the boot lid softly, softly, so as not to alert anybody, leaving a note for Jasper Richmond on the table in the living-room with the house keys. “Sorry, it was a terrible mistake, all my fault, I should never have applied for the post, please forgive me.’ And then pulling the door shut on this Scandinavian rabbit hutch and driving away along the empty service road, scarves of mist round the throats of the street lamps, slowing down at the exit barrier to give a wave to the security man yawning in his brightly-lit glazed sentry box. He nods back, suspects nothing, raises the barrier to let me out, like Checkpoint Charlie in a cold war spy film, and I’m free! Down the avenue, on to the main road, on to the M5, the M42, the M40, London, Bloomfield Crescent, home
except that 58 Bloomfield Crescent has been rented for the next three months to an American art historian on sabbatical and his wife who arrive next Friday. Never mind, send them a fax, ? Sorry, all off, change of plan, house not available after all.’Could they sue me? There’s no legal contract, but perhaps our correspondence would count as one… Oh, what’s the point in pursuing this futile line of speculation when we all know (by ‘we’ I mean my neurotic self and my more rational observing , recording self) we know, don’t we, that this is just a fantasy? And that the real reason I won’t run away tomorrow morning is not because of possible litigation by my American Tenants (or for that matter by the University of Gloucester, who could undoubtedly sue me for breach of contract, thought I very much doubt if they would bother) but because I haven’t got the courage to do it. Because I couldn’t bear the guilt, the shame, the ignominy, of knowing that everybody I know knew that I had funked it, panicked, run away . Imagine to having to ring up Paul and Lucy to tell them, and hearing the disappointment in their voices even as they tried to be supportive of their mad mother. Imagine seeing the ill-concealed smirks and smiles of people at literary parties, as they whispered to each other over their their glasses of white wine. ‘That’s Helen Reed, did you know she went to be a writer in Residence at Gloucester University and ran away on the first day of the semester because she couldn’t face it either,’ And they might add, ‘ not that I blame her, I’m sure I couldn’t face it either,’ but nevertheless they would despise me and I would despise myself.
It was a nice fantasy while it lasted, though. I even chose the tape I would play in the car on the M5, the Vivaldi wind concerti, with their sprightly, cheerful allegro
From the book “Thinks” by David Lodge

I woke this morning feeling slightly hangover

I woke this morning feeling slightly hangover and dyspeptic from last night’s consumption of food and wine (I fear I was probably over the limit when I drove myself home, albeit very slowly and carefully) so I went for a walk after breakfast to get some fresh air. The sky was not promising – a quilt of dark grey cloud sagged from horizon to horizon – and it began to rain as soon al I left the house. Trudging round the campus on a wet Sunday morning was not a spirit-lifting experience, but I persevered, making it an occasion to master the geography of the place, and learn the locations of the various departments and faculties. The buildings erected in the sixties and seventies have not weathered well. Their concrete facades absorb the rain patchily, like blotting paper, and the brightly coloured panels and tiles with which they are trimmed, designed to relieve the dominant grey, are chipped and cracked or missing in many places.
From the book ‘Thinks…’ by David Lodge

‘They describe you as a viper,’

‘They describe you as a viper,’I said to Mt. Visconti.
‘They?’
‘Well, in fact, it was not the detectives. it was the Chief of Police in Rome.’
‘A Fascist,’ Mr Visconti said.
‘Ah, a collaborator then.’
‘The war was over.’
.A collaborator nonetheless. One collaborates always with the victorious side. One supports the losing.’ It sounded again like a quotation from Machievali.
We were drinking champagne together in the garden, for the house at the moment was impossible. Men were carrying furniture. Other men were up ladders. Electricians were repairing lights and hanging chandeliers. My aunt was very much in charge.
‘I preferred flight to anew form of collaboration,’ Mr Visconti said. ‘One can never tell who will win in the end. Collaboration is always a temporary measure. It’s not that I care much for security, but I like to survive.
From the book ‘Travels with my aunt’ by Graham Greene.

When I opened the door

When I opened the door of the flat I found everything in deep darkness. I set an occasional table rocking in the hall and something Venetian tinkled into fragments on the floor. When I drew the curtains the Venetian glasses had no glitter – they had gone dead like unused pearls. There was a scurf of correspondence on the floor among the broken glass, but it consisted mainly of circulars and I didn’t bother to examine them for a moment. I went into my aunt’s bedroom with a sense of shame – yet hadn’t she asked me to see that all was in order? I remembered how meticulously Colonel Hakim had explored the hotel room and how easily he had been outwitted, but I could see no candles anywhere, except in the kitchen where they were of a normal size and weight- presumably a genuine precaution against an electric failure.
I returned to the sitting-room and began to go through the post. One day mu aunt might send me a forwarding address, but in any case I wanted to save anything remotely personal from the scrutiny of Woodrow and Sparrow if they came. My old acquaintance Omo had written, and there were various bills from a laundry, a wine-merchant’s, a grocer’s. I was surprised not to find a bank statement, but remembering the gold brick and the suitcase stuffed with notes. I thought that perhaps my aunt preferred to keep a closer look among the dresses she had left behind, for it would be dangerous to leave cash about in the empty flat.
From the book “Travels with my aunt” by Graham Greene

He let us in

He let us in . The lights were on in the living-room, now that the day had darkened, and my eyes were dazzled for a moment by rays from the glass ornaments which flashed back from every open space. There were angels on the buffet wearing robes striped like peppermint rock; and in an alcove there was a Madonna with a gold face and a gold halo and a blue robe. On a sideboard on a gold stand stood a navy-blue goblet large enough to hold at least four bottles of wine, with a gold trellis curled around the bowl on which pink roses grew and green ivy. There were mauve storks on the bookshelves and red swans and blue fish. Black girls in scarlet dresses held green candle sconces, and shining down on all this was a chandelier which might have been made out of sugar icing hung with pale blue, pink and yellow blossoms.
Her dressing table gleamed with them: mirrors and power-jars and ash-trays and bowls for safety pins. “They brighten the darkest day,? she said. There was a very large double-bed as curlicued as the glass. ?I am especially attached to Venice,’ she explained,’because I began my real career there, and my travels. I have always been very fond of travel. It’s a great grief to me that my travels now are curtailed
From the book “Travels with my aunt” by Graham Greene.

Barcelona

Barcelona’s bustling, tree-lined Ramblas boulevard is a boisterous fusion of noise, colour and activity. Herds of pedestrians push their way past the squeaking menageries at the exotic birds stalls and the bright, sweet smelling flower stalls.Circles of spectators form around dancing, juggling and fire-eating street entertainers. Human statues stand silent watch as a teenage Moroccan bag-snatchers weave through the crowds and, at the port end, a handful of dumpy, cheap prostitutes pitch for business.
I know no other city where a single street is so important. From sex shops and souvenir stalls to the opera house and, in La Boqueria, the best fresh food market in Spain, Las Ramblas caters _ in one way or another- for the most elemental desires of life.
This is where Barcelona celebrates, protests and riots. Built over the course of a stinking stream once known as the Cagalell – the Stream of Shit – it is, more importantly, where Barcelona meets itself.
From the book “Gosths of Spain” by Giles Tremlett

Folklore

Folklore, death and hard-edged politics overtook a village where local businesses closed down for the day. There were pipes and drums and dancing girls in long red skirts and white blouses carrying long hoops decorated with ribbons. A male dancer performed a neat, austere and highly acrobatic dance – the aurresku – full of on-the -spot turns and impressively high kicks in front of the coffin. There were also angry speeches and denunciations of Madrid. It all ended with the surprising, high-pitched sound of women ululating and the turning over by angry radicals of a radio reporter’s car. I do not recall any masked men this time. But at another funeral in Solaruze – this time for an ETA gunwoman shot by the army sergeant she had tried to kill when he stopped his car at a traffic light – masked characters appeared with a huge banner bearing the axe and serpent of ETA.
From the book “Ghosts of Spain” by Giles Tremlett